![]() The Gansevoort Peninsula Park pavilion, designed by nARCHITECTS. Landscaping also made tremendous progress with more trees and shrubs of various species and sizes planted on site. Since then, workers have distributed mounds of rocks against the water, delivered topsoil for the garden beds, inserted long stone blocks for walkways and seating along the southern edge next to the David Hammon’s Day’s End pier-shaped abstract sculpture, poured reinforced concrete floor slabs for the walkways and wooden seating, and installed canopies, wooden boardwalks, light poles, and the rectangular metal framework for the soccer field netting. Large sections of the park’s infrastructure were still being formed at the time of our last update nearly one year ago. The site is located next to Pier 53, directly across from the Whitney Museum of American Art along Hudson River Park. ![]() Designed by James Corner Field Operations and commissioned by the Hudson River Park Trust, the park will contain a full-size soccer field surrounded by lush landscaping and shrubbery, numerous pathways, stepped seating, a children’s playground, kayak slips, a salt marsh, a dog run, viewing platforms, and Manhattan’s first public sandy beach. “This is our home, and we’re really pleased about it.Work is nearing completion on Gansevoort Peninsula Park, a new 5.5-acre public recreational green space along the Hudson River waterfront off the West Village. “We’re excited to be here and by the work that they did,” the homeowner said. And while it is currently a family getaway, it was clear from our conversation that it would become a more permanent residence in the future. Placed to maximize daylight and breezes, the wide windows and sliding glass doors lend a permeability to the house that results in as many views through it as out of it.Īt the time of RECORD’s visit, three additional small structures by nARCHITECTS were in construction-a wedge-shaped garage, a combined music studio/guest house, and a lap pool-closely encircling the house. ![]() However, it’s the bold fenestration that really commands attention. Subtle spacing variations between slats on alternating sections enliven the facade. ![]() To unify the whole design, the architects turned to the region’s vernacular barn typology, reinterpreting it by enveloping the building with slatted western red cedar, even the porch, giving this outdoor room an especially intimate and protected quality. Beautifully detailed Luan-plywood-clad core walls and heated oak floors are the dominant surfaces of the main living space, which flows freely throughout the second floor, from kitchen to living room, leading to what everyone agrees is the most popular “room” in the house: an enclosed porch, with stairs that connect to the surrounding grounds.īedrooms open to the land. Such material efficiency enables the attenuated roofline, high ceilings, and connected communal spaces the clients were after. In addition, the robust raw-steel knee walls of a central third-floor loft study overlooking the living area (like a tree house) serve as structural beams. These eight cores also do double duty as key functional zones that contain, for instance, kitchen appliances, stairs, storage, mechanical equipment, and a chimney. “But we thought, what if you experience the house the way you experience a forest?” With this as a reference, the architects developed a scheme around the idea of structural cores as metaphorical tree trunks that both support the skylit galvalume roof and frame the building’s programmatic volumes within a relatively open floor plan. “Of course, he was thinking of a house in a tree,” says Bunge. According to Bunge, inspiration for the main concept also came from his young son, who suggested they build a tree house for his friend. ![]()
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